Jenseits vom inneren Schweinehund II - Gesamtkunstwerk

Dimensions variable
Installation with multiple (series of) Works.

Antoine Waterkeyn’s artistic exploration, akin to the world of theatre, extends beyond the mere creation of visual elements. It encompasses a dynamic process that involves the careful selection and arrangement of props, references, and characters. His work embodies the spirit of Gesamtkunstwerk, where each element contributes to a holistic experience, much like the synergy of actors, sets, and props on a theatrical stage.

Waterkeyn’s propensity for working in series lends itself to a theatrical analogy. Each series can be likened to a distinct act or scene in a play, with its own narrative and thematic focus. Yet, the artist’s approach transcends conventional storytelling, empowering viewers to become co-authors of the narrative, to engage actively with the visual elements, and to construct their own stories. This participatory aspect aligns with contemporary discourses on art that emphasize viewer agency and interpretation. Moreover, Waterkeyn’s use of symbols and icons from Western art history introduces a complex interplay between tradition and innovation. In theatre, this might parallel the reinterpretation of classical plays for modern audiences. Simultaneously venerating and deconstructing these symbols, he challenges the established meanings associated with them, echoing the way theatre productions reinvent familiar narratives to shed light on contemporary issues.